Aaron Sorkin wrote a Broadway version of To Kill a Mockingbird. You may know Aaron for his works that start with “The”: The West Wing, The Newsroom, The Social Network. By contrast his works that lacked the “The” haven’t taken off as much: Sports Night? Studio 60 on the Sunset Strip? I guess Moneyball was a success but who’s to say it wouldn’t have been bigger if he’d went with The Moneyball?

Aaron’s titles are good and Aaron-esque when they are literal:

-The Racist South

-The Institutional Racism

-The Woke Father

-The Cool Trial

-The Goodwhite Lawyer

-The Southern Gothic

-The Nice Porch

-The Legal System